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Ambrosia, Mon Sauvage (Vol. I)

by Sold Kingdom

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1.
Janus 02:08
But really What were those nights Not common fucking But trauma-spelunking Rude as a cavity search Hung up the phone In harsh relief Selfish, separate, stark Vantablack cloak Angles sharp Profile turning away A certain two that could never be one From the needle and the damage I run
2.
Maida Vale 01:50
I’m a pioneer machinist Fingers tough from precision tinkering In bollock-blasted obscurity You’re tender as a infant’s feet And your gimmick devices infuriate me Lascivious mathematics Clogs on cobbles in my head Born, bred, blitzed Different stages of emptiness
3.
Instead of a red dress Rebecca drags me into a Caloric
4.
Sitter 01:20
He hauls himself home a heap of meat Slashed with slats of Venetian blinds I tend the pile My favorite color Is his black eye It means It’s time for me to shine
5.
Buttress 01:13
It’s late and my calendar’s empty So let’s see how far his fetish goes How dangerous could it be A sniveling rodeo clown wants a bucking bronco If this is degradation Then why when I set him back on the street Lightheaded and spent Do I feel proud and colossal A motherfucking eighth world wonder
6.
Frantic sad hands Tug me into the ravine Of tanning lotion and muscle magazines (Some touch is better than no touch) I’m the knick-knack Paddle smack in so many dreams But here, just a buffer of deniability (Some touch is better than no touch) And I am boundless, voluminous And oh Yes Yes Yes I do want
7.
True love Good times True love Good times Who am I to deny A little sunshine They say he’s a genius Not sure if I see it But none of us lasts very long So it wouldn’t occur to me not to have fun I’m the smile that shouldn’t have But we all have one We all have one
8.
The poison’s in all of their minds They’ll hold it against me every time My anger grows and grows Till I can foam from all the holes Shiseido Babylon Jezebel rabies I’ve smothered myself You’ve smothered me So now in the fridge with the cocktail olives And the aerosol cheese I’ve been manifesting what I need Said now in the fridge with the cocktail olives And the freshly ground beef I’ve been manifesting what I need
9.
Step down 02:01
The trope would be my daddy did me wrong But maybe I’ve been like this all along His dark drawl reaches deep inside of me To the bottom of the garden where ambitions seed And swell awfully large For a small girl like me I have very strong opinions of what I deserve Top from the bottom, I always say But greed can make anyone miscalculate The moment I take off my heels It’s too late

about

Over the years I have found myself fixated on numerous instances of the untold, unsaid, unsung - both in real life and in fiction. My last experimental EP, objets feroces, used this concept in the interest of bringing attention to talented women in the male-dominated and often chillingly misogynist (though undeniably innovative and, to me, inspiring) surrealist movement. With this EP I attempt to voice women who, though they may have been (or have since become) famous in their own right, nevertheless were not centered in the well-trodden narratives people are mostly likely to know. So, for the most part, the inquiring spectator can only guess at their perspectives. Most of the tracks are based on actual events, while a handful are based on works of fiction.

Doing this sort of thing always feels ethically iffy for me when real people are involved, so I am aiming to keep things fairly vague and to grant proper complexity to the speakers, avoiding tropes that would either idealize OR demonize them. I am, however, asking myself that classic question: what’s their motivation? This is especially interesting to me in the cases that involve behavior many would find degrading, because the psychology behind different sorts of self-selected degradation has always fascinated me. This may have something to do with my own middle school experience, but, I digress!

Those who like a puzzle might enjoy trying to figure out who inspired each track, but I am declining to include an answer key, as what I’m really hoping is that these stories transcend specifics to become universal fables of sorts, and allow me to filter some of my own experiences through novel lenses.

The title is me addressing with ironic fondness the scourge that is ragweed, which is in the genus Ambrosia and which causes me a creeping, sinister kind of low-grade inflammation if I sleep on it and don’t preemptively medicate when the last quarter of the year arrives. The cover clearly depicts nothing Ambrosia-related but rather amaryllis, and therefore makes little sense other than being a particularly imaginative photograph by my partner and looking fierce in a way that I think captures accurately the tone of this whole operation.

“Reading is always an act of empathy. It is always an imagining of what it’s like to be someone else.” - John Green

credits

released December 11, 2023

Cover photo credit: oddjohnphoto

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Sold Kingdom Charlottesville, Virginia

Soothingly brutal bystander balladry

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